Blackmagic Cinema Camera 6K Full Frame
SIGMA 150-600mm F5-6.3 DG DN OS Sports
Blackmagic Raw, 6048 x 4032, Extended Video Profile, 12:1. No grading other than small adjustments to exposure and a little noise reduction.
Please note that I did not use an ND filter for these tests so as to not affect image quailty or colour.
Day two test samples of the BMCC 6K Full frame. Captured along the river Chelmer at Maldon in Essex, UK.
Blackmagic Cinema Camera 6K Full Frame
SIGMA 150-600mm F5-6.3 DG DN OS Sports
Blackmagic Raw, 6048 x 4032, Film Profile, 12:1
The first day test samples of the BMCC 6K Full frame
Shot some nature footage this spring in and around some parks local to me.
A variety of shots including macro and long telephoto.
Shot in Blackmagic RAW (BRAW) using: Blackmagic Pocket Cinema Camera – BMPCC 6K G2 Blackmagic Video Assist 12G 5 inch connected to the Panasonic S1 & S5. Lenses: Panasonic 24-105, Sigma 150-600mm (L Mount), Tamron Adaptall 2 90mm Macro (72B).
First time out with the BMPCC 6K G2. Shot using legacy Tamron Adaptall lenses:
Adaptall 2 70-210mm (46A)
Adaptall 2 80-210mm (103A)
Adaptall 2 90mm Macro (72B)
The first thing that impresses is how well this camera captures colour and how relatively easy it is to edit BRAW files in Davinci Resolve. I’ve been shooting with the Panasonic S1 and the Blackmagic Video Assist 12G 5 inch recording monitor also using the BRAW codec. There is a difference between the two versions of BRAW that is now plain to see, the BMPCC files are much smoother to edit and playback on the PC and the colour science is very different.
I’m unsure about where to go with lenses in the future when shooting with the BMPCC but for now my trusty legacy Tamron Adaptall lenses are filling the gap.
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