Episode 2 of a series of Motographs. A garden in Early Autumn 2024 – 2.

I don’t strictly classify what I shoot as video. I see video as as a series of frames that have motion which in a lot of cases is specifically generated by the movement of the camera. What I mostly shoot is stills that have motion within the frame that otherwise remains static. Any motion that’s generated such as slow pans or tilts is done in post using excess areas of the image that would otherwise be outside of the final framing.

I frame each shot like I would if taking a photograph and always use a tripod. Instead of taking one shot I take around 30 shots each second. The frame remains static the motion is generated by the subject matter.

I’m now calling call them Motographs (Photographs with Motion), it’s Motography!

Shot with the BMPCC 6K G2 and the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens.

#motographs #motography #blackmagic #blackmagicpocketcinemacamera #bmpcc6kg2 #canon100400mm #canonlens

Episode 1 of a series of Motographs. A garden in Early Autumn 2024.

I don’t strictly classify what I shoot as video. I see video as as a series of frames that have motion which in a lot of cases is specifically generated by the movement of the camera. What I mostly shoot is stills that have motion within the frame that otherwise remains static. Any motion that’s generated such as slow pans or tilts is done in post using excess areas of the image that would otherwise be outside of the final framing.

I frame each shot like I would if taking a photograph and always use a tripod. Instead of taking one shot I take around 30 shots each second. The frame remains static the motion is generated by the subject matter.

I’m now calling call them Motographs (Photographs with Motion), it’s Motography!

Shot with the BMPCC 6K G2 and the Irix 150mm F2.8 Macro Dragonfly Lens.

#motographs #motography #blackmagic #blackmagicpocketcinemacamera #bmpcc6kg2 #irixmacrolens #irix